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Related: Editorials & Other Articles, Issue Forums, Alliance Forums, Region ForumsMartin Scorsese Backs AI Company and Says He's Using It to Storyboard : 'We Have to Be Open to How' Cinema Can 'Evolve'
Martin Scorsese is the latest Oscar-winning director to hop on the AI wagon, joining the AI firm Black Forest Labs as an adviser in a bid to push the bounds of creativity to create deeper and richer experiences for audiences.
Cinema is a young medium, only around 125 years old, so we have to be open to how it can evolve, Scorsese said in a statement posted on Black Forest Labs website. I utilized 3D with Hugo and de-aging technology for The Irishman. Now, with this tool, I can share what Im visualizing more clearly and efficiently to my creative team the production designer, art designer, and cinematographer for them to build on to enrich cinematic intelligence.
In a video filmed at Scorseses New York City office that accompanied the partnerships announcement, the Goodfellas director uses the firms FLUX generative-AI model to help storyboard a scene. He then discusses staging the crime films famous Steadicam shot, which tracks mobster Henry Hill (Ray Liotta) as he makes his way through the Copacabana nightclub, and notes how each vignette through the scene had to be intricately staged.
If you have a tool like this, you could figure it out much much quicker and you could save production time, and also less wear and tear on the crew, Scorsese said in the video.
Cinema is a young medium, only around 125 years old, so we have to be open to how it can evolve, Scorsese said in a statement posted on Black Forest Labs website. I utilized 3D with Hugo and de-aging technology for The Irishman. Now, with this tool, I can share what Im visualizing more clearly and efficiently to my creative team the production designer, art designer, and cinematographer for them to build on to enrich cinematic intelligence.
In a video filmed at Scorseses New York City office that accompanied the partnerships announcement, the Goodfellas director uses the firms FLUX generative-AI model to help storyboard a scene. He then discusses staging the crime films famous Steadicam shot, which tracks mobster Henry Hill (Ray Liotta) as he makes his way through the Copacabana nightclub, and notes how each vignette through the scene had to be intricately staged.
If you have a tool like this, you could figure it out much much quicker and you could save production time, and also less wear and tear on the crew, Scorsese said in the video.
https://variety.com/2026/film/news/martin-scorsese-supports-ai-company-storyboard-movies-1236765037/
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Martin Scorsese Backs AI Company and Says He's Using It to Storyboard : 'We Have to Be Open to How' Cinema Can 'Evolve' (Original Post)
TheProle
8 hrs ago
OP
"If you're eager for trite and hackneyed cinema, you'll love what schmeering together a shitload of plots produces!"
struggle4progress
8 hrs ago
#1
How to say I didn't read the article without saying I didn't read the article.
TheProle
8 hrs ago
#2
struggle4progress
(126,824 posts)1. "If you're eager for trite and hackneyed cinema, you'll love what schmeering together a shitload of plots produces!"
TheProle
(4,144 posts)2. How to say I didn't read the article without saying I didn't read the article.
Storyboarding ain't plot development.
struggle4progress
(126,824 posts)4. Movie plots generally gits re-did
SamuelTheThird
(1,322 posts)3. "I utilized 3D with 'Hugo' and de-aging technology for 'The Irishman.'
yeah and the de-aging looked like crap